Sustainable fashion

is my ultimate goal. In the shop you will also occasionally find one-of-a-kind pieces I have made, or quality vintage clothing I have collected over the years. I gravitate toward natural fibers, the softness of cashmere or unparalleled patina of worn jeans, the drape of linen, and of course when needed, I alter or repair them to feel modern and updated.

I’ve been designing since my formative years. I would picture the perfect prom gown and try to make that picture come to life with materials and technique and trial and error. In college my skills turned professional as I learned to draft my own sewing patterns, and alter clothing professionally. I was hired by the University to manage the tailoring shop on campus, and since then have mastered the craft of fashion design and tailoring.

You can also find me on Instagram @andrea_djones if you’d like to see my handmade pieces or follow along as I teach others to stitch their own.

Andrea Marie's penmanship signature

allow me share my process with you…

My process

Gathering inspiration

Ideas come from everywhere and anywhere! I enjoy collecting photos of silhouettes I find interesting and then I can begin to pinpoint the details that are worth keeping. This time I searched for ‘wide-leg’ and ‘jumpsuit’ and ‘bustier’ to find designs and details that I liked.

a denim jumpsuit that has more details than the first denim jumpsuit
a denim jumpsuit with bustier and wide pants
a black and white jumpsuit with straps
a solid black strapless jumpsuit with wide legs

Sketching

I still wasn’t certain about all of the details I wanted, but sketching was a great place to organize thoughts and experiment with different styles without having to commit too much time or materials. Here I was trying out straps, boning, defined cups vs. princess seams, etc. I was putting visuals to the ideas.

a sketch using a croquis and pencil only

This is where I can experiment.

Low-fidelity

a sketch in color and detail decisions like no straps, using a croquis

This is where I make design decisions.

High-fidelity

Choosing the fabric

Another decision point was selecting the right fabric for the project. There are many factors that play into matching a fabric to a design, including:

  • stretchy knit vs. structured woven

  • drape and malleability

  • print vs. solid

In this case, the inspiration photos all seemed to have a bit of structure to them, with some drape in the legs. I chose a linen for this, with the understanding that I would need to add interfacing in the bodice where it needed more structure. This was a print that ‘spoke’ to me; sometimes a color or print can be an emotional decision.

taking the fabric out of the dryer

Planning

There is so much planning that happens in design before the construction phases even begin. This is the most time consuming, sometimes invisible, and definitely least rewarding part of the process. Proper planning always makes a better product and always leads to the most satisfaction in the end.

Taking the measurements and finding the correct size to cut.

the fabric and supplies layed out on work table
the interfacing, boning and padding on the work table

Ordering the correct amount of fabric cooresponding to the size.

Gathering additional supplies: boning, padding and interfacing.

I lay everything out carefully and strategically before I cut to make sure everything will work. Measure twice, cut once.

Cutting feels permanent, and all of the planning and preparation up until this point is essential, not only to get the correct product, but to diffuse some of the intimidation and pressure of this moment of truth.

Laying out, Cutting out

a layout of the pattern pieces on the fabric

Constructing

Sewing is building and creating and executing well laid plans. Sewing is where is starts to feel rewarding. Sewing is so many things, but it is truly the the most kinetic phase of the process, the phase when I bring all the little things together, create components, and make adjustments where needed until it’s finished.

Finishing

The hem and zipper were the final step in the sewing process. The hem isn’t pictured here, but the zipper is. It so happens that I have a step-by-step tutorial of sewing an invisible zipper here.

Andrea trying on the bodice component

I did a quick fit check with the bodice.

The inside of the jumpsuit before the zipper is attached
A purple zipper being attached to fabric with a sewing machine

I attached the bodice and pants and prepared for the zipper.

I stitched the zipper in and then hemmed up the pants. Done!

Illustrating

I modeled my jumpsuit for Instagram and from those pictures I chose two to create a stylized fashion drawing. To achieve my vision, I learned how to make it look like a watercolor illustration in Adobe Illustrator.

Full length photo of Andrea wearing the jumpsuit
A side view of Andrea wearing the jumpsuit from the waist up
Original fashion illustration created in Adobe Illustrator

Original fashion illustration I created in Adobe Illustrator.

Reach out!

Love the clothing already in your wardrobe or find a one-of-a-kind piece in my shop.

andrea@andreajonesdesign.com
(910) 208 0275

134 W Pennsylvania Ave. Southern Pines, North Carolina